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Social Sciences · Arts and Humanities

Crafts, Textile, and Design
Research Guide

What is Crafts, Textile, and Design?

Crafts, Textile, and Design is an interdisciplinary field in arts and humanities that examines the intersection of handcrafts, textile arts, and design practices with activism, feminism, sustainability, cultural heritage preservation, and social empowerment through activities like knitting and DIY culture.

The field encompasses 50,068 works focused on craftivism, handicraft, feminism, well-being, sustainability, activism, design, knitting, cultural heritage, and DIY. It addresses how handcrafts promote social change, individual empowerment, and community engagement alongside therapeutic benefits of textile art. Research connects crafts to contemporary feminist movements and evolving DIY culture.

Topic Hierarchy

100%
graph TD D["Social Sciences"] F["Arts and Humanities"] S["Museology"] T["Crafts, Textile, and Design"] D --> F F --> S S --> T style T fill:#DC5238,stroke:#c4452e,stroke-width:2px
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50.1K
Papers
N/A
5yr Growth
93.3K
Total Citations

Research Sub-Topics

Why It Matters

Crafts, Textile, and Design impacts social justice by enabling marginalized communities to lead design processes that dismantle structural inequality, as shown in "Design Justice" where Costanza-Chock (2020) links design to collective liberation and ecological survival with 1225 citations. In education, the maker movement fosters creativity and learning, with Halverson and Sheridan (2014) documenting its role in formal and informal settings through 1073 citations in "The Maker Movement in Education". Fashion and dress influence modern social theory, as Entwistle (2000) analyzes in "The Fashioned Body: Fashion, Dress and Modern Social Theory" (877 citations), highlighting economic roles in cultural and creative work. These applications extend to workplace identity formation via crafts, per Kondo (1990) in "Crafting Selves" (1398 citations), and personal fabrication enabling home-based production, as Gershenfeld (2005) describes in "FAB: The Coming Revolution on Your Desktop--from Personal Computers to Personal Fabrication" (872 citations).

Reading Guide

Where to Start

"Design Justice" by Sasha Costanza-Chock (2020) serves as the starting point because its clear exploration of design led by marginalized communities provides an accessible entry to activism, power, and social justice themes central to the field.

Key Papers Explained

Butler (2015) lays theoretical groundwork for assembly and performance in "Notes Toward a Performative Theory of Assembly" (2442 citations), which Kondo (1990) builds on through identity and gender in "Crafting Selves" (1398 citations). Costanza-Chock (2020) extends this to practical design activism in "Design Justice" (1225 citations), while Halverson and Sheridan (2014) apply it educationally in "The Maker Movement in Education" (1073 citations). Entwistle (2000) adds social theory depth in "The Fashioned Body: Fashion, Dress and Modern Social Theory" (877 citations), connecting to Gershenfeld's (2005) technological fabrication in "FAB: The Coming Revolution on Your Desktop--from Personal Computers to Personal Fabrication" (872 citations).

Paper Timeline

100%
graph LR P0["Crafting Selves
1990 · 1.4K cites"] P1["Crafting selves: power, gender, ...
1990 · 1.2K cites"] P2["Intimacy: A Special Issue
1998 · 978 cites"] P3["The Fashioned Body: Fashion, Dre...
2000 · 877 cites"] P4["The Maker Movement in Education
2014 · 1.1K cites"] P5["Notes Toward a Performative Theo...
2015 · 2.4K cites"] P6["Design Justice
2020 · 1.2K cites"] P0 --> P1 P1 --> P2 P2 --> P3 P3 --> P4 P4 --> P5 P5 --> P6 style P5 fill:#DC5238,stroke:#c4452e,stroke-width:2px
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Most-cited paper highlighted in red. Papers ordered chronologically.

Advanced Directions

Current work builds on established theories like those in Costanza-Chock (2020) and Halverson and Sheridan (2014), focusing on integrating sustainability and cultural heritage into DIY and maker practices. No recent preprints or news are available, so frontiers remain in applying high-citation frameworks to evolving activism and well-being contexts.

Papers at a Glance

# Paper Year Venue Citations Open Access
1 Notes Toward a Performative Theory of Assembly 2015 Harvard University Pre... 2.4K
2 Crafting Selves 1990 1.4K
3 Design Justice 2020 The MIT Press eBooks 1.2K
4 Crafting selves: power, gender, and discourses of identity in ... 1990 Choice Reviews Online 1.2K
5 The Maker Movement in Education 2014 Harvard Educational Re... 1.1K
6 Intimacy: A Special Issue 1998 Critical Inquiry 978
7 The Fashioned Body: Fashion, Dress and Modern Social Theory 2000 877
8 Technologies of the Gendered Body: Reading Cyborg Women 1995 875
9 FAB: The Coming Revolution on Your Desktop--from Personal Comp... 2005 Swarthmore College Wor... 872
10 FRIEDEL-CRAFTS AND RELATED REACTIONS 1966 Elsevier eBooks 861

Frequently Asked Questions

What is design justice in Crafts, Textile, and Design?

Design justice is an approach to design led by marginalized communities to dismantle structural inequality and advance collective liberation and ecological survival. Costanza-Chock (2020) explores this in "Design Justice" (1225 citations). It centers the relationship between design, power, and social justice.

How does the maker movement relate to crafts and design education?

The maker movement integrates making into education, drawing on theoretical roots in formal and informal learning. Halverson and Sheridan (2014) provide context in "The Maker Movement in Education" (1073 citations). It emphasizes hands-on activities like crafting for skill development.

What role do crafts play in identity and gender discourses?

Crafts shape power, gender, and identity discourses, as seen in Japanese workplace ethnography. Kondo (1990) examines this in "Crafting Selves" (1398 citations). The work combines utility and beauty in cultural analysis.

How does fashion connect to social theory in textile design?

Fashion and dress form core elements of modern social theory, entering economic discourse on cultural work. Entwistle (2000) covers this in "The Fashioned Body: Fashion, Dress and Modern Social Theory" (877 citations). It provides historical and sociological perspectives.

What is personal fabrication in design and crafts?

Personal fabrication allows designing and producing products at home using desktop machines akin to manufacturing plants. Gershenfeld (2005) introduces this in "FAB: The Coming Revolution on Your Desktop--from Personal Computers to Personal Fabrication" (872 citations). It represents a shift from personal computers to fabrication.

How do crafts intersect with activism and assembly?

Crafts align with performative theories of assembly in activism contexts. Butler (2015) addresses this in "Notes Toward a Performative Theory of Assembly" (2442 citations). It connects to broader social and political gatherings.

Open Research Questions

  • ? How can craftivism scales amplify feminist activism beyond local communities?
  • ? What metrics best measure well-being outcomes from therapeutic knitting practices?
  • ? In what ways do DIY textiles preserve endangered cultural heritage amid globalization?
  • ? How might sustainability in textile design balance mass production with handicraft traditions?
  • ? What frameworks integrate maker movement tools into formal craft education curricula?

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